ANITA PALLENBERG | THE ROLLING STONES BOHEMIAN STYLE MUSE AND SENSUAL SOULMATE

Anita Pallenberg entered The Rolling Stones’ lives when in 1965 a friend took her to Munich for one of their concerts, and they worked their way backstage. Anita offered The Stones some hash, but they said they couldn’t smoke before a concert– though Brian Jones was ‘kind enough’ to invite her to his hotel room afterwards. They stayed together for two years but he was increasingly abusive, drunk and paranoid. On holiday in Morocco in 1967, Keith saw Brian beating Anita up and grabbed her, threw her in his car and took her back to England. She from then on lived with Keith Richards.

Life with the Stones was fun at the beginning, Pallenberg says, because they were always playing music– but soured once they became a huge money-making machine. She says she didn’t even see them that much, “because at that time no girls were allowed in the studio when they were recording. You weren’t allowed even to ring. I did other things, I didn’t sit at home.”

What she did do– a few films, lots of drugs and tons of screwing around…

Sexy, insatiable Anita Pallenberg with son Marlon Richards.

Author A. E. Hotchner has this to say about Pallenberg’s influence on the development and presentation of The Rolling Stones from the late 1960s and through the 1970s– She played an unusual role in the male-dominated world of rock music in the late 1960s, acting as much more than just a groupie or partner of a band member. Mick Jagger apparently respected her opinion enough that tracks on Beggars Banquet were remixed when Pallenberg criticised them. In the 2002 compilation release of Forty Licks, Pallenberg is credited as singing background vocals on Sympathy for the Devil.

Throughout the decade that she was Richards’ companion in vice, her interest in the occult was a featured style component that marked The Stones concerts and public presentation. Tony Sanchez’s account of his time as Richards’ bodyguard and drug dealer mentions Pallenberg’s strange spiritual practices– ”She was obsessed with black magic and began to carry a string of garlic with her everywhere — even to bed—to ward off vampires. She also had a strange mysterious old shaker for holy water which she used for some of her rituals. Her ceremonies became increasingly secret, and she warned me never to interrupt her when she was working on a spell.”

Anita Pallenberg more than shared Richards’ drug addiction and was charged in the 1977 Toronto heroin arrest that almost destroyed The Rolling Stones. A warrant for her arrest was the reason that police came to search Richards and Pallenberg’s hotel rooms; she pled guilty to marijuana possession and was fined, several weeks after Richards’ headline-grabbing arrest. Richards and Pallenberg separated on the advice of Richards’ lawyers, who believed that if they stayed together, they would end up in more serious trouble. Richards stated that he still loved Anita and saw her as much as he ever did, despite his relationship with his future wife Patti Hansen. In a 1985 Rolling Stone interview, Mick Jagger claimed that Pallenberg “nearly killed me“, when he was asked whether The Rolling Stones had any responsibility for the personal drug addictions of people close to the band.

There were persisting rumors that Anita Pallenburg also had a brief affair with Keith Richards’ band-mate Mick Jagger while the two worked together during the filming of Performance, although Pallenberg denies this. Personally, I wouldn’t put it past either of them, if you know what I mean. They both were easy pickin’ back then .

Brian Jones and Anita Pallenberg BK-- Before Keith.

Wild and insatiable Anita Pallenberg proved to be a handful, even for Keith Richards.

Anita Pallenberg's personal style was said to rub off on The Stones and influenced the bands look. I kind of look at her as an early, "dirty" version of Tory Burch.

Often cited as The Rolling Stones' style muse-- Anita Pallenberg is seen here showing the boys how 1970s Bohemian chic is done.

THE TSY FASHION FLASHBACK | AMERICAN MENSWEAR DESIGNER ICONS

The Coty (American Fashion Critics’) Awards first officially acknowledged excellence in menswear design back in 1970, with the honor going to none other than Ralph Lauren. It signaled a new designer age in American menswear. True men’s fashion icons emerged and soon became household names – Ralph Lauren, Calvin Klein, Alexander Julian — all went on to become institutions that inspire, influence, and in the case of Ralph, still strongly lead to this day. It’s a time in menswear that I’m unapologetically nostalgic over, having largely missed it– but I’ve been fortunate enough to work with a few legends of that golden age, and never miss an opportunity to mine them for all the nuggets I can get.

American fashion icon Ralph Lauren working in his office --1971.

Back in the early 70s, Jeffrey Banks (now a legendary fashion designer in his own right) was hand-plucked from Britches of Georgetown by Ralph Lauren personally, and came to work for him as a part-time design assistant. Part-time because Jeffrey was still in high school. Jeffrey shared a story with me of when he had to get a shipment of hot-selling shirts over to Bloomies quick– Ralph’s orders. Time was tight, and Jeffrey was getting the runaround from receiving department at the store– so he decides to cast store policy aside and brazenly walked through the front doors of Bloomingdale’s 59th Street, both arms bursting with shirts for the Polo shop, much to the chagrin (read: screams) of the operations staff at the store. Here are your shirts, have a great weekend. Love it.

Sometimes rules are for schmucks and you simply have to take matters into your own hands. Ralph certainly didn’t get where his is today by politely following the rules, he led. See, when you work for Ralph, you quickly realize that you’re a part of something much bigger than yourself, and there’s this incredible power of the brand behind you moving mountains out of your way. It’s a pretty awesome thing really.

Ralph Lauren checking out the Polo boutique at Bloomingdale's --1971.

Ralph launched Polo Ralph Lauren back in 1967 (some say it was actually ‘68) with $50,000 loaned to him by Norman Hilton (another menswear icon, and father of Nick Hilton) he set out to put his mark on neckwear. During his time working for the tie manufacturer A.Rivetz & Co., Ralph became obsessed with bringing back the beautiful wide neckties oft worn by his boyhood matinee idols– and this was the late 60s, when the skinny tie was the established code. On top of it all, Ralph’s was seeking to fetch retail prices well above where the rest of the neckwear market was. He first met with Bloomingdale’s, who flatly refused to buy the line without considerable compromises on Ralph’s part– like changing the label and narrowing the ties considerably. Ralph wasn’t interested in selling out, so he simply walked away. According to an old gent I met many years ago named Jerry Sudak who grew up with Ralph in the Bronx and was a longtime exec at Saks 5th Avenue, he was able to get Ralph in the door at Saks to present the neckwear line and they bought into the vision. It was a big success, Bloomingdale’s also crawled back to Ralph to buy the line, and Ralph was well on his way to stardom.

Designer Calvin Klein-- looking very clean, uncluttered and contemporary.

Also hailing from the Bronx was Calvin Klein, seen above before the much-talked-about plastic surgeries that gave him his finely chiseled features. Calvin of course started a huge designer jean craze in the 1970s with the famous Brooke Shields “Nothing comes between me and my Calvins” ad campaign. Calvin’s clean, modern aesthetic was a welcome juxtaposition to Ralph’s traditional taste, and I’d go as far to say that Calvin Klein was the first metrosexual brand. It was for the guy who wanted to harness the power of sexuality and separate himself from the preppy crowd through powerful scents, boxer briefs and designer jeans. Paving the way for them both was none other than the legendary Bill Blass.

Bill Blass is the man to whom both Ralph Lauren and Calvin Klein owe a huge debt. I always think of Blass as the first male fashion designer to truly leverage his talent, presence and ‘cult of personality’ to propel a brand forward through marketing and the press. He really created the mold and showed them how it was done. Bill Blass was a true trail-blazer that just about every public male designer has borrowed a page or two from, whether they realize it or not.

Born William Ralph Blass in Fort Wayne, Indiana to a part-time dressmaker and a traveling hardware salesman. Blass’s father committed suicide when Blass was five. At 15, Blass began selling sketches of evening gowns for $25 each to a New York manufacturer. At 17 he left home to attend fashion school in New York. Blass excelled and at 18 became the first man to win Mademoiselle’s Design for Living award. He found work as a sketch artist with the sportswear house of David Crystal.

In 1942 Blass enlisted in the Army and was assigned to the 603rd Camouflage Battalion a classified division, its mission was to fool the Germans through the use of recordings, dummy tanks and other false materiel, into believing the Allies were positioned other than where they actually were. Blass left the Army in 1945 and went back to New York, where he went to work for Anne Klein. Klein fired Blass less than a year later, calling him talentless. Next Blass started as an assistant designer at Anna Miller and Company, and later at the fashion house Maurice Rentner. In 1970, Blass established Bill Blass Limited. He was most noted for high-quality, high-priced clothing featuring a look of sporty sophistication and casual glamour.

His classic style, which was less severe than that of many contemporaries, attracted a wide audience. He won numerous fashion awards; his designs included sportswear, rainwear, accessories, and evening wear. Beginning in the late 1960s, he also designed menswear. In December 1998, Blass suffered a minor stroke. His company had grown to a $700-million-a-year concern. But after he presented his final collection to in September of 1999, the designer sold Bill Blass Limited for $50 million and retired. In 2000, he was diagnosed with oral cancer, which later spread to his throat. It proved terminal, but his legendary class and style will forever endure.

THE ICONIC SLIM AARONS | CELEBRATED PHOTOGRAPHER OF HOLLYWOOD'S ELITE & THE AFFLUENT AT EASE

George Allen Aarons was born in Manhattan on Oct. 29, 1916. He was reared in New York and New Hampshire and was an Army photographer in World War II. His twin brother, Peter, was killed in the war. Afterward, he and his Army buddy Bill Mauldin, the cartoonist, headed for Hollywood.

Slim Aarons, who won a Purple Heart, said combat had taught him that the only beach worth landing on was ”decorated with beautiful, seminude girls tanning in a tranquil sun.” He opened a bureau for LIFE magazine in Rome, where he vowed to make a career out of photographing beautiful people, doing it his own way with natural surroundings, little makeup and no artificial light. In 1951 Slim Aarons married a young LIFE employee, Lorita Dewart.

The photojournalist who traveled the world to capture the essence of the rich and famous and made a career out of what he called “photographing attractive people doing attractive things in attractive places,” died at the age of 89, 2006.

The family for many years lived in Katonah, N.Y., spending winters in Gstaad or Palm Beach, and summers on the French or Italian Rivieras. In New York Mr. Aarons photographed all of Leland Hayward’s stage productions. In 1974 he published ”A Wonderful Time: An Intimate Portrait of the Good Life.” A sequel, ”Once Upon a Time,” in part a reprise of the first book, was published in 2003. In 2005 a third book, ”A Place in the Sun,” came out.

Slim Aaron’s most celebrated image was shot on New Year’s Eve of 1957 in the Crown Room at Romanoff’s restaurant in Hollywood. Called ”The Kings of Hollywood,” it showed Clark Gable, Van Heflin, Gary Cooper and Jimmy Stewart — what Smithsonian magazine called ”a Mount Rushmore of stardom” and the novelist Louis Auchincloss ”the very image of American he-men.”

The men are enjoy a laugh together in the picture. Mr. Aarons sometimes said he did not know why. In all truth, those chortling stars in ”The Kings of Hollywood,” Mr. Aarons admitted later, were really laughing at him. His good friend, Mr. Clark Gable, loved to jokingly recall (at Aarons' expense) just how bad he thought Slim's acting was in a small movie part he helped him land. Truth is, Slim Aarons butchered his two small scenes take after take. Clearly he had a great rapport with the stars-- When Jimmy Stewart was approached by strangers, he joked, "No, I am Slim Aarons."

Slim Aarons also shared a story on working with Hitcock here--

"You ever see the movie Rear Window? That's my apartment. Because the protagonist was supposed to be a writer-- very few people know this. The protagonist was a LIFE writer who'd been hurt somewhere, either in the war or an accident-- because it was written by a LIFE writer."

Slim Aarons was hired by Hitchcock ("Hitch" as he called him) to photograph the detailed back-shots of NYC apartment buildings that eventually became the set built for them film. Hitch loved the shots, and in a strange twist of fate, the protagonist character was changed from a writer to a photographer.

Slim Aarons' shot of Oscar De La Renta above from February 1985. The famous designer relaxes in the living room of his apartment the Casa de Madera in the resort of Casa de Campo in the Dominican Republic.

Slim Aarons' shot of Mies, circa 1960: German born American architect Mies Van Der Rohe (1886 - 1969) on the rooftop of a skyscraper in Chicago.

During a career that spanned more than five decades, Aarons photographed many of the most famous faces of the late 20th century, including Humphrey Bogart, Louis Armstrong, Lauren Bacall, Marilyn Monroe, Princess Diana and the Kennedys. He captured, better than anyone, the affluent at ease. And to hear Slim tell the story behind his most famous works is well, priceless.

"I knew everyone." he said in an interview with The Independent in 2002. "They would invite me to one of their parties because they knew I wouldn’t hurt them. I was one of them." –Slim Aarons

Above is Slim Aarons' famous shot of Marilyn Monroe-- he talks about the shoot here.

"There was a time when in the movies, you couldn't show her without being covered from head to foot. And so what I did was, I got the dress out of wardrobe from the studios, and then I went down... and (got) the black net lace and I covered her in head to foot in black net lace so we could get rid of the censors in Hollywood. Marilyn would do anything for photographers in those days. And Marilyn was an amazing person. She wasn't what they'd call a 'pure girl', you know what I mean? She wasn't brought up that way-- she just learned to survive. But she knew one thing-- whenever she went with a guy, she knew the guy wanted her. She had that innate thing-- but she had that same quality of being just a little girl. She'd just made a movie called Asphalt Jungle, and so I said-- did she have any fan mail? I had to think quickly... she's got barrels of fan mail. She says to me-- what do you want me to do Slim? I said-- I want you to think of the nicest possible thing that can happen to you-- but with your eyes."

Noel Coward and Truman Capote used words to record this rarefied universe, but Mr. Aarons’ photographs in magazines like Harper’s Bazaar, Town & Country and LIFE showed it. "Attractive people doing attractive things in attractive places" was his mantra.

Thomas Taylor and Bing Crosby hamming it up on Pebble Beach golf course 1977, photographed by Slim Aarons.

Slim Aarons gained entree to villas, yachts and chalets by becoming one of the crowd. He told of sailing with Katharine Hepburn and seeing a drowning man. After being rescued, the man pulled out a camera and started shooting Miss Hepburn. She threatened to break it on his head. Mr. Aarons stood by, welcomed as a valued guest, who happened to be a photographer.

The legendary photographer and personality-- Slim Aarons, on the right. Love the monogram below the pocket on the chest~ very chic.